2012/2013 Posts

Newer posts (2012/2013) at my website here:

http://loopyc.com/


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BEFORE AND AFTER ANOTHER GREEN WORLD

Brian Eno visits Stanley Kubrick on the moon circa 2001.

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NTWINED

Avant ambient dust and scratches soundscape excursions featuring a bass made of twine.

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POINTS OF ABSTRAKTION

Pointillistic to the point of having no point (if you get my…)

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AVANT ETHNO KLANG GARDEN (REPOST)


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THE BUDDHA CHANNEL VOL.1

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BENT PIANO VS DOTDOTDOT


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AMBIENT LIMITS

Part of the ‘Ambient Dubplates’ series, Volume 8.

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THE LIGHTED SPACE OF RECOGNITION

Both Hegelian and the Heideggerian models understand art as a situation, a predicament, a “clearing,” within which the self approaches itself from out of the darkness of misrecognition into the “lighted space” of recognition. This understanding of art refuses Kant’s injunction that art be purposeless and disinterested, recognizing instead that, at the point of production, the purposiveness of art is not without purpose, the purpose being its own becoming as a work.

(Gary Peters. The Philosophy Of improvisation)

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REPETITION AND DIFFERENCE

Difference resists inclusion within the symbolic network which it produces as its destination and even “discovers” as its origin. Qualities, especially when taken as signs, present us with these same two faces. For on the one hand, they indicate “an implicated order of constitutive differences”; but on the other hand, the quality “tends to cancel out those differences in the extended order in which they are explicated.”

(Difference and Repetition. Gilles Deleuze)

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THE DREAM OF ARTING


“For me there is only the traveling on paths that have heart, on any path that may have heart, and the only worthwhile challenge is to traverse its full length–and there I travel looking, looking breathlessly.”

Carlos Castaneda. The Teachings Of Don Juan

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THE ART OF DREAMING


Phlogiston of the nagual. Solo full-length tracks from an earlier post….Chronic sans Riddick. Visits to nonordinary reality and leaps into the abyss of aural hallucinations. Ambient dubplates volume 6.

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HESPERUS IS PHOSPHORUS

The knowledge of something necessary can be discoverable rather than known a priori. Eight variations on an ambient theme, ambient dubplate vol. 5.

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THE WIND CRIES MERCURY

Unquiet village of avant garde space exotica for the bosons and bourbon crowd.

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THE CHRONIC OF RIDDICKS


From the Multiverse’s bong comes neuron-fired rhythms and alchemical synthesizers, morphing in the dust and smoke clouds of Hubble hallucinations. These are the initial ‘prototype/Music Minus One’ versions, further development being considered (I am currently trying to teach Einstein to sing for future versions!)

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WHERE THERE ARE SKITTERS, THERE ARE MECHS


‘Another Green World-influenced’ mutant electro-acoustic funk jams. Euclidean rhythm programming meets granular basses* (my ‘virtual Percy Jones’?), semi-language-removals, and eviscerated reanimations in a quantum entangled improv session.

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CHAMBERWORX (FOR DIETER)


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DEATH JAZZ TRIO SESSIONS 1


Avant garde computer object manipulations/improvisations as a new ‘sense’ of jazz…arcane and hyper-metaphysical gesturing, RAM permeated with the smell of ghosts in the machine burning. For Trio.

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DARK LIGHT, LIGHT DARK

Dawn and dusk, sonic binaural winds winding through dusty canyons and shadowed trails…becoming the aural prayers of a desert night with full moon.

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CLUB VALYERMO JAM SESSIONS

High desert virtual gnostics with various distorted stringed things, things being hit, and misc electrical/electronical disturbances.

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NOISE ISN’T DEAD, IT JUST SMELLS JAZZY

A praxis of frankly frankenstein postmodern instrumental tips.

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DADALA IN YOUR HEDGEROW


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AMBIENT DUBPLATES VOL 4


Mint dulce space chili, served in the semisonic vacuum of a cool desert evening.

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AGAIN MORE CONTINUED DRUM SOLOS


Fire in the drum hole! More hyperreal hyperperformance granular drumming.

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SAINTLAND BURNING


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DISINTEGRATING COORDINATES


‘Progression Systems’ Volume 2. Arpeggiators playing arpeggiators…Ezekial’s MIDI with a tangerine on my knee in the temple of mesons and crochets.

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MIKRO ISMS


Solo keyboard confabulated hymnal/sigil for an uninvented country (Bill Frisell meets Vangelis on a ‘short bus’ field trip).

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THE ‘NUMBER HAMMER’ TRIOS


‘Progression Systems’ Volume 1. Tools will be toys…Polyrhythmic scores (scale intervals as tempo ratios) for a mechanical ‘junk/found sound’ trio.

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THE PARANORMAL RADIO SESSIONS


The electrostatic voices of oscillators made of ghosts. Spirits caught in the modulated fires of vacuum tubes and transistors.


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AUTECHRECORDS


Down into the abyssal zone of faux noise floors, where the rasp and spark of cracked media wounds step out of the shadow of digital purity. Turning bits into atmospheres and detritus into tactic (cracktics).

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TIME TAKES A DRINK OF ABSINTH

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DIFFERENT FROM THE ONE YOU ARE IN


Smoothing out the irregularities of frequencies made physical, activity in the rooms of a resonant fever.


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I LEFT MY HEART IN SAN JACINTO


The morning fog may chill the air, something moving in. High on a hill, it calls to me, I taste it in my mouth and in my heart.


Impressions based on the melancholic interludes of Peter Gabriel’s live show multimedia presentations.


Dedicated to old friend and fellow Peter Gabriel fanboy, Dave B.

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